© Richard Randall

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Sundries

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In another version, she had gone out to destroy the Asuras storming Swargaloka, but became enraged and erratic. To calm her, Śiva went and lay down on the ground in front of her path. When she stepped on him, she looked down and realized that she had just stepped on Śiva. Taken aback by his actions, she bit her tongue and calmed her fury.

As Nataraja, Śiva is the Lord of the Dance, and symbolises the dance of the Universe, with all its heavenly bodies and natural laws complimenting and balancing each other. At times, he is also symbolized as doing his great dance of destruction, called Tandava, at the time of pralaya, or dissolution of the universe at the end of every Kalpa.

Some Hindus, especially Smartas, believe Śiva to be one of many different forms of the universal Atman, or Brahman. Others see him as the one true God from whom all the other deities and principles are emanations. This view is usually related to the bhakti sects of Śaivism.

Although he is defined as a destroyer (or rather re-creator), Śiva, along with Vishnu, is considered the most benevolent God. One of his names is Aashutosh, he who is easy to please, or, he who gives greatly in return for little. Unlike Vishnu, Śiva does not traditionally have avatars. However, several persons have been claimed as embodiments of him, such as Adi Shankara, and there are instances in many legends and teachings where Śiva manifests spontaneously to intervene in human events. Some people also consider Hanuman to be an aspect of Śiva.

Shiva is the ultimate reality who is the nature of Bliss itself and all complete in Himself. He is beyond description, beyond all manifestation, beyond limitation of form, time and space. He is eternal, infinite, all pervading, all knowing and all powerful.

Schools and views of Śivaism

Nayanars (or Nayanmars), saints from Southern India, were mostly responsible for development of Śaivism in the first millennium. Of the schools today, many Śaivite sects are in Kashmir and Northern India, with Lingayats and Virasaivas from Southern India. The Saiva Siddhanta is a major Śaivite theory developed in Southern India.

Śiva's life is often depicted in short stage dramas to help his devotees (particularly nayanmars) better understand his aspects. This is greatly explained in the Thiruvilayadalpuram. This form is especially prevalent in South India, particularly Tamil Nadu.

In Gaudiya Vaishnavism he is considered the best of devotee of Vishnu (vaisnavanam yatha sambhu) and also an aspect of Vishnu. The example of milk and yogurt is used to describe their difference in Brahma Samhita. He is depicted as meditating on Sankarsana, an expansion of Balarama. He also plays an important role in Krishna-lila as Kshetra-pala, protector of Vrindavan, holy dham of Krishna. As Gopisvara Mahadeva he also guards rasa-lila grounds. Authorship of Sri Sri Radha-krpa-kataksa-stava-raja (aka Radha Stava) (text and translation), from the Urdhvamnaya Tantra, is ascribed to him. This tantra, contemporarily available only in parts, is praised in chapter 3 of the Kularnava Tantra as 'the secret of secrets'.

Śiva is an icon of masculinity. In mythology and folklore, he can be interpreted to inspire masculine characteristics of the most extreme: absolute virility and fertility; aggression, rage and supreme powers in war; his resolve, meditation is absolute, as is his love for his consort. This form of Siva is strongly worshipped in Tantric Hinduism, especially with the linga as the icon of fertility, piety and the power of Siva.

Apart from Shaivism, Śiva also inspires Shaktism in Hinduism, which is strong in Assam and West Bengal, the eastern states of India. Shakti is the root power, force of Śiva. Shakti, his prime consort, is the female half of the Supreme Godhead. It is the root of the life force of every living being, and the entire Universe. The bond of absolute love, devotion and passion which embodies the existence of Śiva and Shakti, is considered the Ultimate Godhead form by itself, that a man is an incomplete half without a woman, who is the Ardhangini, (the Other Half) of his existence and power.

The pilgrimage to Amarnath (just over the Chinese line of the Himalayas, deep in the highest mountains of the world, on Mount Kailash) and Anantnag in Kashmir are the most difficult and dangerous, yet exalted pilgrimages for Hindus of all sects, ethnic origins and classes. The glaciers in sacred caves forms the Sivalinga or the natural embodiment of his linga.

Origin theories

Śiva does not occur in the Vedic hymns as the name of a god, but as an adjective in the sense of "kind", or "auspicious". One of his synonyms, however, is the name of a Vedic deity, the attributes and nature of which show a good deal of similarity to the post-Vedic Rudra, the god of the roaring storm, usually portrayed in accordance with the element he represents, as a fierce, destructive deity, terrible as a wild beast, whose fearful arrows cause death and disease to men and cattle. He is also called Bapardin (wearing his hair spirally braided like a shell), one of the synonyms of Śiva. The Atharva Veda mentions several other names of the same god, some of which appear even placed together, as in one passage where Bhava, Sarva, Rudra and Pasupati are conjunct. Some were possibly the names under which the same deity was already worshipped in different parts of Northern India. This was certainly the case in later times, since it is expressly stated in one of the later works of the Brahmana period that Sarva was used by the Eastern people and Bhava by a Western tribe. It is also worthy of note that in the same work, composed at a time when the Vedic triad of Agni, Indra-Vayu and Surya was still recognized, attempts are made to identify the Śiva of many names with Agni; and that in one passage in the Mahabharata it is stated that the Brahmins said that Agni was Śiva.

It is in his character as destroyer that Śiva holds his place in the triad, and in this he is identified with the Vedic Rudra. Another very important function appears, however, to have been assigned to him early on. In his modern worship, the role of a destroyer is especially exhibited in his consort Mahakali, whereas Śiva becomes a generative power, symbolized in the, (lingam). The non-Aryans had worshipped the linga as a phallic symbol, but its relation to the Vedic Rudra is less certain. Plausible conjecture has been put forth that linga symbol was originally prevalent among the non-Aryan population and later introduced into the worship of Śiva due to similarities. On the other hand, there can be little doubt that Śiva, in his generative faculty, is the representative of another Vedic god whose nature and attributes account for this particular feature of the modern deity Pushan.

The Vedic Śiva was frequently invoked as the lord of nourishment, to bestow food, wealth and other blessings. With the divine Soma, he was called the progenitor of heaven and earth, and is connected with the marriage ceremony, where he is asked to lead the bride to the bridegroom and make her prosperous (Skt: Civatama). Additionally, he has the epithet Bapardin, as has Rudra and the later Śiva, and is called Par Upa, or guardian of cattle, whence the latter derives his name Parupati. Parupa is a powerful and even fierce deity, who with his goad or golden spear, smites the foes of his worshipper, and thus in this respect offers some similarity to Rudra, which may have favored the fusion of the two gods into a monotheistic conception of God as Śiva.

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