© Richard Randall

Caribbean

Sundries

This work is licensed under a Creative Commons Attribution 2.5 License.

A Brahma said: You are Svaha1 and Svadha2. You are verily the Vashatkara3 and embodiment of Svara4. You are the Sudha5. O eternal and imperishable one, you are the embodiment of the threefold matra6. You are half a matra, though eternal. You are verily that which can not be uttered specifically. You are Savitri7 and the supreme Mother of the devas.

1 The propitiatory mantra of the devas uttered when an oblation is poured in the fire for them. 2 The propitiatory mantra of the manes (Pitrs) uttered when offerings are made in ceremonies in honor of departed ancestry. 3 Vashatkara in this text signifies Yajna, Vedic sacrifice. 4 all utterances. 5 Sudha, is the nectar of the devas and signifies immortality. 6 sound measures, long, short and unmetered. Also interpreted as omkara, made up of a, u and m, the original three sounds, made with open, intermediate and closed lips 7 The famous Savitri hymn which occurs in the Rigveda.

B Out of the surface of her forehead, fierce with frown, issued suddenly Kali of terrible countenance, armed with a sword and noose. Bearing the strange khatvanga (skull-topped staff ) , decorated with a garland of skulls, clad in a tiger’s skin, very appalling owing to her emaciated flesh, with gaping mouth, fearful with her tongue lolling out, having deep reddish eyes, filling the regions of the sky with her roars, falling upon impetuously and slaughtering the great asuras in that army, she devoured those hordes of the foes of the devas.

Iconography

In most early representations, skulls, cemeteries, and blood are associated with her worship. She is black and emaciated. Her face is azure, streaked with yellow, her glance is ferocious; her disheveled and bristly hair is usually shown splayed and spread like the tail of a peacock and sometimes braided with green serpents. She wears a long necklace (descending almost to her knees) of human skulls or intestines. She may be shown wearing a girdle of severed arms. Her purple lips are often shown streaming with blood; her tusk-like teeth descend over her lower lip; and her tongue lolls out. She is often shown standing on the inert form of her consort, Shiva. She is sometimes accompanied by she-demons. In certain representations, her four arms hold weapons or the severed head of a demon, while also making the 'peace' and 'boon-giving' gestures: these symbolize both her creative and her destructive power, for in some traditions Kali personifies the ambivalence of deity, which manifests itself, according to much of Indian tradition, in the unceasing cycle of life and death, creation and destruction.

Recent iconographical development

More recent Bengali images go against these traditions to varying degrees. Some old icons have clothes or jewelry added to cover Kali's body, and newer icons often beautify her, making her appear more like an attractive young mother than a demoness or hag.

Such iconography as remains is also re-interpreted: the form of Kali standing on Shiva is explained as him lying before her when she is in a rage, so that when she steps on him she will be embarrassed by the impropriety and come to her senses. Similarly, the lolling tongue, previously considered to drink the blood of her enemies, is instead stuck out in shame. Even more recently, contempory artists, like Charles Wish, have taken etreme liberties with the traditional iconography of Kali and many other South-Asian deities.

Some of her biggest temples are to be found in the North-East of India, in particular in Kolkata, West Bengal: Kalighat and Dakshineshwar, and in the equally famed Kamakhya in Assam.

Her poor reputation in the West came from the cult of the Thuggee, Hindus and Muslims who took the goddess Kali as their deity. They robbed and murdered travellers as sacrifices to Kali and were broken up by the British. The common English word thug is derived from this. Many non-Hindus were introduced to Kali by way of the Goddess appearing as a villain deity in the films Gunga Din, Help! (film) and Indiana Jones and the Temple of Doom.

Oceania